The relationship between tattooist and artist were traditionally a bit different. Often the tattooist would talk with the client, and then design the overall design choosing the imagery that seemed appropriate for the person. The tools used were hand tools, basically clusters of tiny needles bound to slim pieces of bamboo. A paint brush is dipped in a small bowl of ink, and the artist moves the tattoo tool through the inked bristles of the ink brush before beginning work. The tattoo tool is braced against the fingers and manually jabbed in a constant and steady motion to puncture the skin of the client.
The full tattoo body suit shown here was done in Japan using hand techniques by tattooist Horiyoshi III. There are many who feel that Horiyoshi III is the leading tattooist in Japan presently. The wearer is Maron, the recent winner of the Bondage-A-Go-Go Tattoo-A-Palooza tattoo contest in San Francisco. This man lived in Japan for several years, going to see the master tattooist a few times per week for the entire time to complete the full body tattoo. With such a large area to cover, the tattooist is able to move around to keep working, not having to wait for a previously inked section to finish healing.The perception of tattooing in Japan can be quite mixed. The full-body suits were embraced by the Yakuza, the organized criminal syndicate whose name comes from a hand in cards that is considered “worthless.” This further set them outside average society. However, Western influence in pop culture has made the Western style of tattoos (small, stand-alone designs) somewhat trendy and you can even find rockabilly enthusiasts wearing 1950s style American pinups girls in Hara-juku on weekends.

