Tatted Ring Types
When a new tatter asked me to explain how a center ring is different from a normal tatted ring, I was surprised. When he further questioned why a josephine ring was not called a ring at all but a knot, I knew it was time to make a list of all the different types of rings that we create in tatting. This is my list so far. Please help me add to it. I am missing a photo or illustration for the square ring. If you have one please send it in.
A = the traditional ovoid tatted ring
B = a round center ring with hidden cut tails
C = a modern tatted ring using a mock picot to climb out
A modern tatted ring using a mock picot to climb out followed by a split ring (needle tatted
A modern tatted ring using a mock picot to climb out followed by a beaded split ring (shuttle tatted)
The 18 ring motif which features outward facing rings with a split ring to climb out followed by chains with floating rings (made with shuttle 2 or a second needle usually)
The pattern for the previous motif. The 5 inner rings are 6 - 2 - 2 - 6 but the last split ring is 6 - 2 / 2 - 6
The basic onion ring, i.e., ring surrounded by ring
The basic onion ring of 2 layers followed by a chain with floating rings
The basic onion ring of 2 layers followed by a chain with floating rings using 3 shuttles/colors
The half-closed ring, a traditional oft used design element
A starter picot; also used to begin a self-closing mock ring
A long decorative tatted chain folded back and joined to itself to make a self-closing mock ring
A "captured ring" aka as the alligator join
A ring with a floating ring thrown off by using the loop tail as a shuttle method
A series of single shuttle split rings
A split ring closed by bringing the loop tail up and over the ring and tightened
Split rings with regular ring
A finger tatted flower with tiny josephine rings
A ring made with the roll stitch
A ring inside a ring using two shuttles, aka, the maltese ring.
Editor's Picks Articles
Top Ten Articles
Content copyright © 2019 by Georgia Seitz. All rights reserved.
This content was written by Georgia Seitz. If you wish to use this content in any manner, you need written permission. Contact Georgia Seitz for details.