Planning a Realistic Candle Animation
We already have our first flame position, by default, on Frame 1 of the Timeline. We need to decide how many changes in the shape of the flame, or transformations of the movie clips, we will use to create our animation and how many Tween frames we will put between these transformations. As you would expect, the more changes in shape we use will make our animation look more realistic.
The human mind will notice a repeating pattern. For example, if we use only two different shape transformations for our flame in our Tween, the viewer will quickly notice the repetition and our flame animation will not be very realistic. However, if we use 5 shape changes in our Tween, we will get better results.
The number of frames placed between flame transformations, will not only effect how realistic our animation is but will also effect the speed of the animation. Also, if we place a different number of fames between each transformation, the animation will be more realistic. Finally, the amount of change, or shape transformation, will determine the number of Tween frames.
For example, our first transformation will be a very slight shape change. When this happens in a real candle flame, the movement is very quick. On the other hand, we will also have a transformation when our flame becomes very tall. As in a real flame, the duration of this shape change will be much longer.
The third decision we need to make is whether the wind that will blow our flame is coming from the left or right. This may be determined by what else is happening on the stage at the time of our flame animation. For example, if a character is moving on the stage, this will displace the air around the character and cause our flame to move "away". Let's assume that our "wind" is on the left of the flame.
Remember that we want this movie clip to be reusable in other Flash projects. If we decide that we need the movement that displaces the flame on the right for another project, we can simple flip the movie clip horizontally on the stage.
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